An industry that has sustained a town for over 100 years, announces that it is closing its doors. A family that has been the cornerstone of the community. has given up. The only thing that can save the dying little town... IS AN UNSPEAKABLE TRAGEDY. From Chip Rossetti, the writer and director of FATHERS, THE ACCIDENTAL MISSIONARY and THE BORROWED CHRISTMAS, comes a faith based adventure into the HEART of a family, and the CORE of a mountain. 94 FEET.

At 17, high-school junior Shirley Lyner is thinking about college and running a babysitting service that provides teen call girls to the dads of young children. In a long flashback, we see what brought her from being a babysitter to organizing and running the service. It starts with Michael, the father of children she baby-sits. A cup of coffee on the way home from his house, a night visit to a train yard, and one thing leads to another. Shirley can be ruthless, and tension builds when some of the clients take the girls to a mountain cabin and bring drugs. Then, one of the girls tries to freelance. Can this end well: is it a tragedy in the making? Do we all have secrets?

In 1965, after provoking a fire in a forest, the rebel teenager Heather Fasulo is sent to the boarding school Falburn Academy in the middle of the woods by her estranged mother Alice Fasulo and her neglected father Joe Fasulo. The dean Ms. Traverse accepts Heather in spite of the bad financial condition of her father. The displaced Heather becomes close friend of he weird Marcy Turner, while they are maltreated by the abusive mate Samantha Wise. During the nights, Heather has nightmares and listens to voices from the woods, and along the days she believes that the school is a coven of witches. When some students, including Marcy, simply vanish, Heather believes she will be the next one.

A housemaid falls in love with Dr. Jekyll and his darkly mysterious counterpart, Mr. Hyde.

Leonard Kraditor is a burned-out case, living with his immigrant parents after his fiancée left him, helping out at their Brooklyn dry cleaners, taking photographs, at loose ends, suicidal. In quick succession, he meets two women: Sandra, the daughter of his parents' business associates, frank, direct, sensual, Jewish like Leonard; and, his neighbor Michelle, mercurial, rootless, fun, blond, unattainable. Michelle is in love with a married man and cries on Leonard's shoulder; Sandra wants to save him. Is Leonard willing to risk losing Sandra's fidelity for the moments Michelle's moods swing toward him? Can this end well?